photoshop CS3 One-on-One: Beyond the Basics with: Deke McClelland Running Time: 10.75 hours
Photoshop is the tool of choice for most creative professionals and has quickly become household name synonymous with computer art and image manipulation. In Photoshop CS3 One-on-One: Beyond the Basics, internationally renowned Photoshop guru Deke McClelland teaches such digital-age wonders as masking, filters, layers, blend modes, Liquify, Vanishing Point, and vector-based type. Along the way, Deke also teaches tried-and-true methods for sharpening details, smoothing over wrinkles and imperfections, trimming away jowls and fat, and wrapping one image around the surface of another.
Masking Essentials
| Welcome to Photoshop CS3 One-on-One: Beyond the Basics | 2:05 | 9.5 MB |
| Selecting glass and water | 5:23 | 10 MB |
| Establishing a base layer | 4:00 | 7.6 MB |
| The Color Range command | 6:45 | 12.4 MB |
| Selecting sparkles | 3:19 | 6.7 MB |
| Setting sparkles to Screen | 4:19 | 8.5 MB |
| Selecting and compositing hair | 2:59 | 5.5 MB |
| When Color Range falls short | 7:25 | 13.6 MB |
| Selecting a base channel | 4:25 | 8 MB |
| Enhancing the channel's contrast | 4:04 | 7.6 MB |
| Dodging the highlights | 5:55 | 10.1 MB |
| Putting the mask in play | 3:20 | 5.8 MB |
| Reducing the edge fringes | 4:21 | 7.9 MB |
| Adding a layer mask | 4:53 | 9 MB |
| Creating a gradient quick mask | 5:26 | 10.2 MB |
| Blurring the layer mask | 5:51 | 11.2 MB |
| And that's just the beginning... | 1:15 | 2 MB |
Sharpening Focus
| Edge-enhancement parlor tricks | 1:30 | 6.7 MB |
| The subterfuge of sharpness | 3:14 | 5.6 MB |
| The single-shot sharpness | 3:47 | 6.9 MB |
| Unsharp Mask | 5:17 | 9.8 MB |
| Understanding the Radius value | 4:31 | 8.7 MB |
| Gauging the best settings | 7:14 | 13.9 MB |
| Sharpening the luminance data | 8:25 | 16.1 MB |
| USM vs. Smart Sharpen | 6:00 | 11.4 MB |
| Smart Sharpen's Remove settings | 6:23 | 12.7 MB |
| High-resolution sharpening | 6:04 | 10.6 MB |
| Leave More Accurate off! | 2:29 | 4.5 MB |
| Turn More Accurate on | 2:58 | 5.7 MB |
| The Advanced options | 5:17 | 9.7 MB |
| Saving Smart Sharpen settings | 4:18 | 7.9 MB |
| Accounting for camera shake | 6:00 | 10.8 M |
Blurring and Averaging
| Why the heck would you blur? | 1:20 | 5.9 MB |
| The "bell-shaped" Gaussian Blur | 7:16 | 11.4 MB |
| The Linear Box Blur | 2:58 | 3.5 MB |
| Median and its badly named progeny | 6:03 | 9.1 MB |
| Surface Blur and the rest | 5:36 | 8.4 MB |
| The Motion Blur filter | 3:02 | 3.3 MB |
| The Radial Blur variations: Spin and Zoom | 5:55 | 10.1 MB |
| The Captain Kirk-in-love effect | 6:50 | 10.8 MB |
| Averaging skin tones | 6:02 | 10.9 MB |
| Addressing the stubborn patches | 6:00 | 11.1 MB |
| Combining Gaussian Blur and Average | 4:08 | 7.7 MB |
| Blurring surface details | 7:02 | 11.8 MB |
| Smoothing blemishes while matching noise | 7:52 | 14.9 MB |
| Reducing digital noise | 8:22 | 15.2 MB |
| Smoothing out JPEG artifacts | 6:01 | 9.7 M |
Layer Essentials
| Behold, the layered composition | 1:13 | 5.4 MB |
| The Layers palette | 5:08 | 9.4 MB |
| Enlarging the hand | 4:40 | 8.4 MB |
| Erasing with a layer mask | 6:28 | 11.8 MB |
| Moving a layer | 4:03 | 6.3 MB |
| Combining layers into a clipping mask | 4:42 | 8.5 MB |
| Hair and stacking order | 6:12 | 10.8 MB |
| Adding a frame and expanding the canvas | 6:02 | 11.8 MB |
| Adding a vignette | 7:00 | 12.7 MB |
Groups and Layer Comps
| Organization: It sounds dull, but it rocks | 1:08 | 5.1 MB |
| The terrible battle | 3:03 | 5.8 MB |
| Assembling the base composition | 5:46 | 11.6 MB |
| Adding adjustment layers | 4:55 | 8.9 MB |
| Creating a layer group | 2:24 | 3.9 MB |
| Grouping selected layers | 3:13 | 5.4 MB |
| Making the TV lines | 4:17 | 7.6 MB |
| Introducing layer comps | 5:52 | 10.4 MB |
| Saving your own layer comps | 6:40 | 12.6 MB |
| Final footnotes | 5:09 | 9.4 MB |
Opacity and Blend Modes
| Parametric operations | 1:04 | 4.9 MB |
| The power of blend modes | 6:44 | 11.3 MB |
| Changing the Opacity value | 5:35 | 8.9 MB |
| Opacity vs. Fill Opacity | 4:37 | 7.6 MB |
| Meet the blend modes | 5:38 | 10.6 MB |
| Blend mode shortcuts | 5:52 | 11.5 MB |
| The darkening modes | 6:12 | 10.2 MB |
| Tempering a Burn effect with the Fill value | 3:53 | 6.6 MB |
| Saving a blended state | 2:54 | 4.4 MB |
| The lightening modes | 4:55 | 7.6 MB |
| The contrast modes | 7:13 | 14 MB |
| The comparative modes | 7:25 | 13.3 MB |
| The composite (HSL) modes | 6:02 | 10.6 MB |
| The brush-only modes | 8:11 | 14.7 MB |
| Blending groups | 7:10 | 12.8 M |
Transform, Warp, and Liquify
| At this point, there is a great shift... | 0:59 | 4.4 MB |
| Messing with the masters | 2:28 | 4.9 MB |
| Scaling a layer to fit a composition | 6:39 | 12.6 MB |
| Merging clock face and cardinal | 2:02 | 4 MB |
| Rotating the minute hand | 7:42 | 14.6 MB |
| Replaying the last transformation | 3:50 | 7.4 MB |
| Second hand and shadows | 5:00 | 9.6 MB |
| Series duplication | 3:23 | 6.7 MB |
| Skews and perspective-style distortions | 6:43 | 13.1 MB |
| The envelope-style Warp function | 7:32 | 13.8 MB |
| Introducing the Liquify command | 5:09 | 8.9 MB |
| Adjusting the brush settings | 4:02 | 6.4 MB |
| Viewing layers and the mesh | 4:18 | 7.9 MB |
| Incrementally undoing undesirable effects | 4:05 | 7.1 MB |
| Twirl, pucker, and bloat | 2:02 | 3.5 MB |
| Push, mirror, and turbulence | 4:37 | 7.7 MB |
| Protecting regions with a mask | 3:41 | 6.3 MB |
| Applying a digital facelift | 10:53 | 19.1 MB |
| Saving and loading mesh settings | 2:31 | 4.2 MB |
Vanishing Point 2.0
| Planes and perspective | 1:07 | 4.9 MB |
| The Blue Gallery | 2:47 | 4.5 MB |
| Introducing Vanishing Point 2.0 | 5:30 | 8.9 MB |
| Drawing out perpendicular planes | 6:54 | 11.4 MB |
| Exporting the gridlines to a layer | 4:45 | 8.6 MB |
| Cloning an image from one plane to another | 7:58 | 13.6 MB |
| Blending the image into its new home | 6:31 | 7.7 MB |
| Healing away the sockets | 7:48 | 11.5 MB |
| Importing a new image | 6:20 | 11.4 MB |
| Masking and shading the image | 7:27 | 11.9 MB |
| Flat in, perspective out | 5:57 | 10 MB |
| Adding perspective type | 4:50 | 8 MB |
| Swinging planes to custom angles | 6:02 | 9.7 MB |
| Wrapping art around multiple surfaces | 4:35 | 8.6 MB |
Creating and Editing Text
| Type: The great imaging exception | 0:54 | 4 MB |
| Creating an independent text layer | 6:39 | 10.7 MB |
| Editing vector-based text | 6:38 | 12 MB |
| Working with area text | 6:15 | 11.2 MB |
| Resizing the text frame | 6:04 | 11.1 MB |
| Obscure but important formatting options | 7:25 | 14.3 MB |
| Text editing tricks and shortcuts | 9:38 | 17.6 MB |
| Adding a ghostly cast shadow | 6:19 | 10.9 MB |
| Backlighting the text | 2:48 | 4.7 MB |
| Creating type on a path | 7:37 | 11.7 MB |
| Pasting text along the bottom of a circle | 3:50 | 7.4 MB |
| Flip and baseline shift | 3:15 | 6.1 MB |
| Warping text | 3:58 | 6.6 MB |
| Scaling the warped text to taste | 4:18 | 7.6 MB |
To Be Continued
| See ya for now | 1:11 | 5.3 MB |
***********NEW AND NEVER OPENED **************
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