True Grit (1969) DVD John Wayne, Robert Duvall



Director:
Henry Hathaway
Writers:
Charles Portis (novel)
Marguerite Roberts (screenplay)


Genre:
Adventure / Western / Drama


Cast:

    John Wayne    ...     Marshall Reuben J. 'Rooster' Cogburn
    Glen Campbell    ...     La Boeuf
    Kim Darby    ...     Mattie Ross
    Jeremy Slate    ...     Emmett Quincy
    Robert Duvall    ...     Ned Pepper
    Dennis Hopper    ...     Moon
    Alfred Ryder    ...     Mr. Goudy (Defense attorney)
    Strother Martin    ...     Colonel G. Stonehill
    Jeff Corey    ...     Tom Chaney
    Ron Soble    ...     Capt. Boots Finch
    John Fiedler    ...     Lawyer Daggett
    James Westerfield    ...     Judge Parker
    John Doucette    ...     Sheriff
    Donald Woods    ...     Barlow
    Edith Atwater    ...     Mrs. Floyd

Additional Details:


Runtime:
128 min
Country:
USA
Language:
English
Color:
Color

 



There is a moment in "True Grit" when John Wayne and four or five bad guys confront each other across a mountain meadow. The situation is quite clear: Someone will have to back up or die.

Director Henry Hathaway pulls his telephoto lens high up in the sky, and we see the meadow isolated there, dreamlike and fantastic. And then we're back down on the ground, and with a growl Wayne puts his horse's reins in his teeth, takes his rifle in one of his hands and a six-shooter in the other and charges those bad guys with all barrels blazing. As a scene, it is not meant to be taken seriously.

The night I saw a sneak preview, the audience laughed and even applauded. This was the essence of Wayne, the distillation. This was the moment when you finally realized how much Wayne had come to mean to you. I have on occasion disliked his movies, most particularly "The Green Berets." But Wayne has a way of surmounting even bad movies, and in 40 years he has also made a great many good ones. In the early ones, like "The Quiet Man" or "The Long Voyage Home," he was simply an actor or simply a star. But long before many of us were born, John Ford began to sculpture the actor and the star into the presence. Today there is no actor in movies who is more an archetype.

One of the glories of "True Grit" is that it recognizes Wayne's special presence. It was not directed by Ford (who in any event probably couldn't have been objective enough about Wayne), but it was directed by another old Western hand, Hathaway, who has made the movie of his lifetime and given us a masterpiece. This is the sort of film you call a movie, instead of the kind of movie you call a film.

It is one of the most delightful, joyous scary movies of all time. It goes on the list with National Velvet" and "Robin Hood" and "The African Queen" and "Treasure of the Sierra Madre" and "Gunga Din." It is not a work of art, but it would be nearly as good if it were. Instead, it is the Western you should see if you only see one Western every three years (an act of denial I cannot quite comprehend in any case).

It is based faithfully on Charles Portis' novel, and it tells the story of Mattie Ross from near Dardanelle, in Yell County. One day her father rides off to the city and is murdered by a cowardly snake. Mattie (played with the freshness of sweet cream by Kim Darby) rides to town to hire somebody to go into the Indian Territory and capture the scoundrel.

She strikes a bargain with U.S. Marshal Rooster Cogburn (Wayne), who is a one-eyed, unwashed, sandpapered, roughshod, fat old rascal with a heart of gold well-covered by a hide of leather. Then a Texas Ranger (Glen Campbell) gets into the act when he turns up and claims he has a reward for the killer (who also, it appears, plugged a state senator in Texas). "It is a small reward," the ranger explains, "but he was not a large senator."

After two horse-trading scenes in which Mattie outtalks the horse trader and drives him to distraction, the three set out into Indian Territory. Rooster and the ranger can't get rid of Mattie so she comes along. And we embark on a glorious adventure not far removed from Huck Finn's trip down the Mississippi, for this is also an American odyssey. Portis wrote his dialog in a formal, enchantingly archaic style that has been retained in Marguerite Roberts' screenplay.

Campbell, who needs some acting practice, finds it difficult to make the dialog convincing but Hathaway pulls him through. And Miss Darby, especially in the horse-trading scenes, is a wonder. You may even laugh aloud when she observes that geldings, in her experience, are not a good buy if you mean to breed them. And as for Wayne, I believe he can say almost anything and make it sound convincing. (In Otto Preminger's "In Harm's Way" he had to say: "I mean to get into harm's way," and he even made that convincing.)

Wayne, in fact, towers over this special movie. He is not playing the same Western role he always plays. Instead, he can play Rooster because of all the Western roles he has played. He brings an ease and authority to the character. He never reaches. He never falters. It's all there, a quiet confidence that grows out of 40 years of acting.



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Le sigle DVD signifiait à l'origine Digital Video Disc, soit « disque vidéo numérique ». Par la suite, des fabricants ont essayé de populariser la dénomination Digital Versatile Disc, soit « disque numérique polyvalent ». Finalement, le Forum DVD a décidé en 1999 que le standard se compose de ces trois simples lettres. We cannot guarantee the shipping speed, since all our items are mailed with Canada Post. As seller we cannot influence the speed of the mail. Customer service (also known as Client Service) is the provision of service to customers before, during and after a purchase. Its importance varies by product, industry and customer. As an example, an expert customer might require less pre-purchase service (i.e., advice) than a novice. In many cases, customer service is  important if the purchase relates to a “service” as opposed to a “product". Customer service may be provided by a person (e.g., sales and service representative), or by automated means called self-service. Examples of self service are Internet sites. Customer service is normally an integral part of a company’s customer value proposition. We do not offer CS in the traditional sense, nor as outlined here. Thus you must read and agree to all provisions set forth in this auction. We usually use drop ship services. Some drop shipping retailers may keep "show" items on display in stores, so that customers can inspect an item similar to those that they can purchase. Other retailers may provide only a catalogue or website. A customized packing slip may also be included by the wholesaler, indicating the retailer's company name, logo, and/or contact information. Drop shipping can occur when a small retailer who typically sells in small quantities to the general public receives a single large order for a product. Rather than route the shipment through the retail store, the retailer may arrange for the goods to be shipped directly to the customer. Many sellers on online auction sites, such as eBay, also drop ship. Often, a seller will list an item as new and ship the item directly from the wholesaler to the highest bidder. The seller profits from the difference between the winning bid and the wholesale price, minus any selling and merchant fees from the auction site. We may sell an item that even though it has been tested, may not work. Thus, all items are sold as is, no warranties. Item sanscas, non procès, non chose - générique.  information / renseignements - on dropshipping, drop shipping - see above. Please also contact us if you are interested in rare classic films, B-Movies and . We can find and locate almost any film for you. If you know about an alternative to selling on ebay please contact us, it would be much appreciated. We accept PayPal only, but please note: Recently, there has been an influx of people filing claims of not receriving an item or otherwise. This has costed us a lot of money to date, so we have the following provisdion: Under no circumstabces can or will we issue a Refund. We will not accept a not as described claim or dispute either. If an item has not arrived after a month or longer, or did not work, contact us again and we will send out another one - however, no refunds, whatsoever.If you are in disagreement with this important provision, please abstain from bidding. We do not accept or offer any terms, conditions, indemnities, or warranties of sale other than those contained in this acknowledgment. Our delivery to a carrier in good order constitutes delivery. Any claim for damage, breakage, or loss in transit must be made against the carrier. No warranties, no returns and no refunds. Sorry. If you have a questioon please do contact us, but if we cannot answer your question in time before auction ends, please do not bid.If you do not agree with these terms and conditions please do not bid.

The term B movie originally referred to a motion picture made on a low or modest budget and intended for distribution as the less-publicized, bottom half of a double feature during the so-called Golden Age of Hollywood. Although the U.S. production of movies intended as second features largely ceased by the end of the 1950s, the term B movie continues to be used in a broader sense, referring to any low-budget, commercial motion picture meant neither as an arthouse film nor as unrated. In its post–Golden Age usage, there is ambiguity on both sides: on the one hand, many B movies display a high degree of craft and aesthetic ingenuity; on the other, the primary interest of many inexpensive exploitation films is prurient. In some cases, both are true. In either usage, most B movies represent a particular genre—the Western was a Golden Age B movie staple, while low-budget science-fiction and horror films became  popular in the 1950s. Early B movies were often part of series in which the star repeatedly played the same character. Almost always shorter than the top-billed films they were paired with, many had running times of 70 minutes or less. The term connoted a general perception that B movies were inferior to the  handsomely budgeted headliners; individual B films were often ignored by critics. Latter-day B movies still sometimes inspire multiple sequels, but series are less common. As the average running time of top-of-the-line films increased, so did that of B pictures. In its current usage, the term has two primary and somewhat contradictory connotations: it may signal an opinion that a certain movie is (a) a genre film with minimal artistic ambitions or (b) a lively, energetic film uninhibited by the constraints imposed on  expensive projects and unburdened by the conventions of putatively "serious" independent film. From their beginnings to the present day, B movies have provided opportunities both for those coming up in the profession and others whose careers are waning. Celebrated filmmakers such as Anthony Mann and Jonathan Demme learned their craft in B movies. B movies are where actors such as John Wayne and Jack Nicholson became established, and the Bs have also provided work for former A movie actors, such as Vincent Price and Karen Black. Some actors, such as Béla Lugosi and Pam Grier, worked in B movies for most of their careers.

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