Spike Lees powerful yet intimate drama about a busload of men
traveling to the Million Man March h
Decades after the original series, this return to the CONTROL
headquarters finds Maxwell Smart Don
Stars of a popular Disney TV show, the Doodlebops are the
coolest rock & roll band among the presc
A favorite of kids, television series THE DOODLEBOPS features
song, educational lessons, and dance
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Released on the one-year anniversary of the Million Man
March, GET ON THE BUS follows nearly 20
Other
Stars of a popular Disney TV show, the Doodlebops are the
coolest rock & roll band among the presc
family
Stars of a popular Disney TV show, the Doodlebops are the
coolest rock & roll band among the presc
family
Stars of a popular Disney TV show, the Doodlebops are the
coolest rock & roll band among the presc
television
New wave heroes The Knack step into the visual medium with
GETTING THE KNACK, released to celebrat
music
Released on the oneyear anniversary of the Million Man March,
GET ON THE BUS follows nearly 20 Afr
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Get On The Bus
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Released on the one-year anniversary of the Million Man
March, GET ON THE BUS follows nearly 20 African Americans as they
ride a bus cross-country to attend the historic event in
Washington, DC. The passengers--a diverse group of Los
Angeles-based men--include a bickering gay couple, a pompous (and
disliked) Republican, a Spike Lee-esque film student, a vain actor,
and a quarrelsome father and son who are literally shackled to each
other by court order. The fascinating and enlightening discussions
between the men shed light on numerous issues concerning the
African American community and enrich their lives in the process.
Lee chose to shoot his film on super-16mm stock, giving it a
grainier, more documentary-like feel--which, when combined with the
naturalistic performances from the ensemble cast, makes an impact
that is all the more immediate. Lee's camera and the actors breathe
fervor into Reggie Rock Blythewood's screenplay. Standout
performances include Ossie Davis, Charles S. Dutton, Andre
Braugher, De'Aundre Bonds, Roger Guenveur Smith, and Richard Belzer
(as the white bus driver). Once again Spike Lee delivers a poignant
commentary on the state of African American affairs at the end of
the 20th century.
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